Writing Tips III: Vocabulary

In previous installments of examining King’s writing tips, I discussed King’s concepts of what it takes to be a writer and creating a toolbox.  In this article, we are going to discuss the vocabulary used by writers and hear a few things that King has to say about the tool that he identifies as the “bread of writing” (On Writing, 114).

Vocabulary is simply the words that a writer chooses to use in his/her story.  Some writers will use a complex vocabulary that will send you thumbing through a dictionary every other sentence.  To each their own, but this can make the story difficult to read and, sometimes, cause the reader to throw the book to the side before even finishing it.  However, some readers like those writers with an extensive vocabulary.  Again, to each their own, this applies to writers and readers alike.

King encourages writers to use the vocabulary that they have.  He suggests that a writer just pack that vocabulary into the toolbox without giving it a second thought.  King suggests, “You can happily pack what you have without the slightest bit of guilt and inferiority” (114).  Most writers, including myself, have struggled with this concept in their own work.  Some worry that if it is too complicated, people will be turned off by it.  Others may worry if it is too simple that people won’t take it serious.  King helps put those fears to rest in On Writing. 

I believe that Blood Meridan is another (fine novel), although there are great whacks of it that I don’t fully understand. What of that? I can’t decipher the words to many of the popular songs I love, either (116).

“Street vocabulary” is another category discussed by King.  King defines street vocabulary as “phonetically rendered” words, such as “yeggghhh” as used by Tom Wolfe.  Tom Wolfe and Elmore Leonard are two writers who use this tool in their work. 

King discourages writers from trying to make any “conscious effort to improve” their vocabulary (117).  The improvement of vocabulary should be primarily done through reading, which King has identified as a key element for successful writers.  It is as important for writers as the actually writing itself.

Writing should be a natural thing to some degree, although it takes work to become so.  In order to maintain this naturalness, a writer should use the words that are natural to them.  King gives a warning about writers altering their vocabulary for the wrong reasons.

     One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you’re maybe a little bit ashamed of your short ones.  This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed (117).

You have to love his examples. There are people who do dress up their pets. Doesn’t it make you feel just a little bit sorry for those poor creatures being forced to wear a cutesy outfit? Remember that poor pet the next time you think about changing your words just for the sake of “dressing it up.”

Finally, King suggest that you stick with your original thought when writing.  He identifies the basic rule of vocabulary as “using the first word that comes to your mind, if it is appropriate and colorful” (118).  Of course, a thesaurus can help find a word that might make you, as a writer, sound more intelligent or sophisticated. However, it might also change the meaning of what you really want to say and how you want to say it.

Some of the greatest stories ever told are written by authors who use a combination of their regional tone with a vocabulary that connects with the reader.  As a writer, a person should tell their story in the way that they would normally do it without changing the words to fit somebody else’s idea of right. Imagine Mark Twain writing in Stephen King’s vocabulary or vice versa. It wouldn’t work for either one of them. In the South, we would say, “It all comes down to using the words that your momma gave you.”

Write on!

Jerusalem's Lot: The Dark History

Stephen King has masterfully composed stories that highlight the people and culture of Maine.  Most readers, if asked, would identify the most memorable town in King’s work as Castle Rock or Derry.  The number of King's stories based in these locales could easily explain this.  Take the name of this blog site as an example of that impact.  These two towns have been discussed in earlier articles. However, King has written such a body of work that it is hard to identify every place that he has used. The Stand (1978) alone has scenes in excess of fifty locations throughout the United States.  Regardless, we will still take a look at some of these special places in this and future articles.

Jerusalem’s Lot is a small Maine town with a long history that includes a time when it was a ghost town.  Jerusalem’s Lot is commonly referred to as “’Salem’s Lot” by the locals.  That name has become synonymous with evil or cursed for many people in the nearby communities.  From the founders to some of the residents in recent years, the town has a unique, yet very dark, history surrounding its population.

The following is the historical timeline of the town of Jerusalem’s Lot based on the works of Stephen King and documented in The Complete Stephen King Universe by Stanley Wiater, Christopher Golden and Hank Wagner:


1710   James Boon led a splinter group of the original Puritan settlers from
            southern Maine to the location that the town would later be established. 
            Boon is the group’s spiritual leader who worships a demonic creature 
            known as “the worm.”  His group also worships this dark entity. 
            Boon, like some other cult leader’s in history, breeds with many of the 
            women in their sect.

1741   Preacher’s Rest, an adjoining hamlet, is founded. The name would 
            later be changed to Preacher’s Corners.

1765   Jerusalem’s Lot becomes an incorporated township.

  

1782   Robert and Philip Boone build a house called Chapelwaite in the Lot 

            near Preacher’s Corners. The brothers were descendants of James 

            Boon, but were unaware of their connection to the fanatical leader.

1789   (October 27) Robert Boone follows his brother, Philip, to the original 

            church where James Boon and his cult worshipped the demon 

            creature. Robert had become involved with the founder’s cult, which 

            still existed in the area. The events of that night have been lost in history. 

            The next day, the town was completely deserted. The fate of its 

            residents is unknown.

1850   Charles, the grandson of Robert Boone, moves into Chapelwaite, the 

            family estate.  He discovers documents that reveal some of his family’s 

            history.  The residents of Preacher’s Corners do not treat Charles 

            kindly. He relates their attitude toward his family to the horrific events 

            associated with his ancestors.

            (October 27) Charles Boone discovers the worm and the “rotted 

            zombielike form” of James Boon in the abandoned church in 

            ‘Salem’s Lot.

1896  The ghost town becomes resettled as new people move into it. The 

           events of the past are unknown or believed to be nothing but legends. 
           The main street is named Jointner Avenue in honor of a local 
           politician. The road had previously been known as the Portland Post 
           Road.

1928  Hubert Marsten and his wife, Birdie, move to ‘Salem’s Lot.  Marsten 
           was the president of a large New England trucking company.  However, 
           It was not known to the residents of the town that Marsten was an 
           assassin for the Mafia.

1939  During the summer of this year, Marsten shoots  

           and kills his wife before hanging himself.  It was           

           later discovered that Marsten had been 
           in contact with a mysterious man who 
           lived in Germany, which was ruled by 
           Hitler’s Third Reich at that time. The 
           man in Germany was later revealed to 
           be a vampire named Kurt Barlow.

1951  Ben Mears, a young boy from ‘Salem’s 
           Lot, enters the abandoned 
           Marsten House, which is said to 
           be haunted. The young Ben enters 
           the attic and sees what he 
           believes to be the ghost of Hubie Marsten. Ben 
           Mears would never forget the events of that fateful day. 

1971  (October) James Robert Boone, the final descendent of founder James 
           Boon, moves into Chapelwaite. Though it is believed by many that the 
           ancestral home was haunted, there are no more references to the evil 
           associated with cult, the worm or the living corpse of James Boon.  
           Some believe that the evil could be brought back to life under the proper 
           conditions.


1975  (September 5) Ben Mears returns to the town after his wife, Miranda, is 
           killed in a motorcycle accident.  Mears, a writer, hoped to write a new 
           novel while visiting his boyhood town.  Mears discovers that two 
           “mysterious European gentlemen” had purchased the Marsten House, 
           which haunted his dreams.

              By mid-fall of that year, the majority of the Salem’s Lot residents had been killed,  transformed or left due to the evil activity of the vampire Barlow.  Ben Mears and Mark Petrie kill Kurt Barlow, destroy as many vampires as possible and then flee the empty township. 

              

1976   In the winter of 1976 or early months of 1977, Mears and Petrie return to ‘Salem’s Lot and burn the town.  Newspaper had been reporting stories about suspicious disappearances near the abandoned town.  Mears believed these disappearances to be associated with the vampires created by Barlow.

1978  (January 10) The Lumley family from New Jersey are taken by vampires near the burned-out town of ‘Salem’s Lot.  Herb Tooklander and his friend Booth, both of whom live in a neighboring town, also report nearly being abducted in a similar fashion.

As you might be able to conclude from this historical timeline, Jerusalem’s Lot shares a similar event in its history as another early settlement in America. Roanoke, Virginia was the site of two early colonies where its residents disappeared without a trace, once in 1587 and again in 1590.  Beyond the similarities, there is no known connection between Jerusalem’s Lot and Roanoke.

To read more about the history and events that occurred in Jerusalem’s Lot, read the following King stories:  ‘Salem’s Lot (1975), “One for the Road” – a short story in the collection Night Shift (1978), and “Jerusalem’s Lot” – a short story also in Night Shift (1978).

              

Ka-tet: The Heart of King's World

Avid King readers have encountered the terms “Ka” and “Tet” in many of his works.  Even occasional readers may have seen these terms in some of his works.  However, this concept of “Ka” and “Tet” has deep roots in many King stories.  In order to help all King fans, even just the movie watchers, understand this concept, this article will explain its meaning and how to find it in King works.

What is a Ka-tet?

These terms are defined in The Dark Tower III: The Waste Lands as Roland tries to explain the purpose of the quest to Eddie and Susannah Dean, better known as “The Prisoner” and “The Lady of the Shadows” (61). 

•          Ka is defined as “destiny.” However, Roland states that it is “much more complex in High Speech.”
•          Tet is defined as “a group of people with the same interests and goals.”
•          Roland identifies Ka-tet as “the place where many lives are joined by fate.”.

The Complete Stephen King Universe states, “ka-tet means a great many things, one of which is family” (16).  It continues to explain the group of people are “usually without blood relationships” and are bound together by “duty, obligation, love, and common objectives” (17).  It is important to note that enemies can also be a part of a ka-tet as their destiny is to “destroy each other” (17).

Examples of Ka-tets in King’s work

The most memorable Ka-tet in a King work is the one in the Dark Tower series.  Roland, the last gunslinger, leads his Ka-tet in pursuit of the “man in black” and in their journey to the Dark Tower itself.  Some members of Roland’s Ka-tet are Eddie Dean aka The Prisoner, Susannah Dean aka The Lady in the Shadows and Jake Chambers aka the boy at the Way Station or ‘Bama.  (These references are from the first three books in the Dark Tower series.)

However, the Dark Tower series is not the only King works that contain this unique dynamic of a group with the same destiny.  Stephen King’s IT (1986) contains a very strong Ka-tet.  The Loser’s Club, which is composed of the seven friends that battle the evil entity living in the sewers of Derry, is a Ka-tet that lasted for over thirty years. Another Ka-tet in this story is the two opposing forces, the Loser’s Club versus the evil entity.

The final story that I will discuss in relation to the concept of a Ka-tet is The Stand (1978).  This novel contains a complex structure of the Ka-tet concept.  The first Ka-tet is the group that is drawn to Mother Abigail Freemantle.  This group consisted of Stu Redman, Glen Bateman, Frannie Goldsmith, Nick Andros and the rest of the gang that created the “Free Boulder” zone.  The second Ka-tet is the group that was drawn by the Walking Dude, also known as Randall Flagg, to Las Vegas.  This group consisted of Lloyd Henreid, Trashcan Man, Barry Dorgan and the others who considered their leader to be Flagg.  The third Ka-tet is the enemy dynamic that forces the people of the “Free Boulder” zone against Randall Flagg and, by association, the people of the new Las Vegas.

I would argue that other Ka-tets exist within this story as well.  The Campion family could be a considered a Ka-tet.  Their family group left the base with a goal of escaping the virus that had been released.  Ultimately, they were the reason that the Captain Trip’s virus spread across America. Another Ka-tet could be identified as the military itself.  The various divisions of this particular group include “Project Blue” personnel, the group working to create the virus, and the military personnel, the ones who tried to contain it after the virus escaped and anarchy started to break out across America.

It is impossible to write about every example of a Ka-tet without composing an entire book on the subject.  However, being able to identify King’s use of Ka-tet in his work will help the reader, including you, see how he interweaves these characters as people and as those pursuing a similar destiny.  I can just about guarantee that you will look beyond the story to identify the Ka-tet in the next King work that you read. Happy reading, King’s “Constant Readers!”

The Castle Rock Players: Episode 4 - Morgan Freeman

Morgan Freeman is probably one of the greatest actors in modern cinema with memorable roles that never fails to deliver a diverse audience.  His “authoritative” voice, which is recognizable whether he appears on-screen or not, places him in a special select group of actors.  His range of roles is diverse and his performances are always powerful.  The actor came to the arts later in life, not getting his start in performance arts until after age forty.  Despite his late start in acting, Freeman’s work has earned him extraordinary praise and numerous awards.  The Mississippi native has been featured in two Stephen King adaptations.

In 1994, Morgan Freeman was cast to star opposite Tim Robbins in the critically acclaimed King adaptation of The Shawshank Redemption, based on the novella “Rita Hayworth and the Shawshank Redemption” in Different Seasons (1982).  Freeman portrayed the role of Ellis Boyd ‘Red’ Redding, a prisoner in the legendary Maine correctional facility for the murder of his wife.  The character portrayed by Freeman was altered to match the actor’s physical traits.  In the original story, Redding was a pale-skinned Irish man with bright red hair.  The writers refer to this change in the dialogue when Freeman’s character answers the question of why he is called “Red” by stating: “Maybe because I am Irish.”

Freeman’s work in Shawshank was brilliant and a true homage to King’s ability to create powerful characters that capture the audience.  His portrayal of Redding was recognized by the industry and audience as being the phenomenal work that it was.  For his role in Shawshank, Freeman was nominated for an Academy Award as “Best Actor in a Leading Role;” He lost to Tom Hanks for his role in Forrest Gump. He was also nominated for a Dallas-Fort Worth Film Critics Association Award, a Golden Globe, a Screen Actor Guild Award, and a Chicago Film Critics Association Award. He won a Chlotrudis Award in the best “Best Actor” category for his work in this film.    

In 2003, Freeman returned to the big screen as a King-adapted character in the feature film Dreamcatcher, based on the novel of the same name released in 2001.  He portrayed the role of Colonel Abraham Curtis, the authoritative commander of the Blue Boy squad that is destined on stopping an alien invasion of earth.  Freeman’s role in this film is described as being “over-the-top” in The Complete Stephen King Universe.  Although critics less accept his performance as his work in Shawshank, his on-screen presence adds to the popularity of this adaptation.  His voice and demeanor makes him a good fit for the character.

The screenplay writers altered the character portrayed by Freeman in Dreamcatcher.  The character in the novel had changed his name to Kurtz in honor of a character in Joseph Conrad’s Heart of Darkness, the basis for the film Apocalypse Now (1979).  The producers decided not to use the “Kurtz” name to cut the connection to the Conrad story and Coppola’s adaptation of it. There were numerous changes from the original story to screen including making Duddits into something that he wasn’t.

Morgan Freeman has a long filmography containing some of the best movies in the past four decades.  Without a doubt, The Shawshank Redemption is one of those films.  Of course, there is no way of knowing whether he will star in another King adaptation in the future. It would be nice if he did.  However, we can thank him for his legendary performance in Shawshank and for bringing great depth to the role of Ellis Boyd “Red” Redding, and his maybe somewhat less memorable performance in Dreamcatcher.  These roles secure Freeman a place in “The Castle Rock Players” roster.  

SyFy Looks Through The Eyes of the Dragon

Explore the Worlds of the Dark Tower

In honor of this week’s release of “The Wind Through the Keyhole,” the eighth novel in King’s ‘Dark Tower’ series, I thought it would be appropriate to provide some information about a valuable resource in finding your way around the worlds associated with the series.  Robin Furth, King’s personal research assistant for the ‘Dark Tower’ series, published an encyclopedia of knowledge about the ‘Dark Tower’ series, entitled ‘Stephen King’s The Dark Tower: The Complete Concordance.”  

Furth provides the reader with information that will help understand the characters, worlds, plots, and even the language in the Dark Tower series.  She identifies all of the characters in the stories, and provides a genealogical tree for the main characters.  She also provides maps of the three worlds in the series.  These worlds are identified by King as the “In-World, Mid-World and End-World.” These maps will help the reader to know exactly where the characters are at any point in a story, which is very helpful when reading the books. 

Furth also describes other elements of the series that enhances the reader’s experience.  She identifies the languages used including “High Speech, Low Speech and Mid-World Argot.” Furth includes dialects from the “Mid-World” used by certain characters.  Not only does Furth help readers understand the language, she also includes rhymes, prayers and songs that originated in the “Mid-World.”

In addition to the languages and maps, Furth’s reference book explains some of the mysterious elements of the series.  She provides a history of Roland’s Ka-tet, an important concept that appears in several of King's novels.  She also identifies political and cultural references that are made in the series. Her book contains much more information about the ‘Dark Tower’ series.   

The first edition of this resource book was published in 2006.  Furth revised it in a 2010 edition.  This reference source will be revised once again to include the latest information from the continuing series that has spanned for more than thirty years.  The latest revision of this book will be available in November 2012. 

Derry, Maine: A Town of Unspeakable Evil (Pt. 3)

Derry, Maine: A Town of Unspeakable Evil

Part 3 – Dreamcatcher and 11/22/63

This is the final installment about the small town of Derry.

In 2001, Derry was once again the scene of a series of horrific events.  A group of four friends decided to take a hunting trip to the woods, which was an annual outing for them. Gary “Jonesy” Jones, an associate professor of history at John Jay College in Boston, was still recovering from a severe injury that he received after being struck by a car.  Henry Devlin, a psychiatrist, had been suffering from depression and was even contemplating suicide. Joe “Beaver” Clarendon, a carpenter, was an alcoholic who had few friends other than his childhood buddies. Pete Moore, a car salesman, considered “hunting a hobby, beer a religion.”

The four men had grown up together in Derry and had shared many adventures running the streets and playing in the Barrens. As children, the four friends had helped Douglas “Duddits” Cavell, a boy with Down Syndrome, when a bully was beating tormenting him. As a result, Duddits had become the fifth member of their little gang.  The five of them had been involved in the rescue of a missing girl who had fallen in a well. They remained friends for the rest of their lives.

After arriving at their cabin, known as Hole in the Wall, a mysterious hunter named Richard McCarthy visited Jonesy while the others were out getting supplies. McCarthy was suffering from some unknown illness.  Devlin and Moore discovered a female hunter on the road as they were heading back to Hole in the Wall.  The woman also appeared to be suffering from some sort of illness.

After a series of events, the four men discovered that the military had quarantined the area surrounding Derry due to the crash of an alien spacecraft. The military personnel conducted a search for an escaped alien. The area was also infested with a virus codenamed ‘The Ripley Virus’ by the military.

The friends became locked in a battle for survival against the invading alien beings, the widespread virus and the military.  In order to survive, they called upon their childhood friend Duddits to help recapture a psychic connection that they five of them once shared. (To read the full adventures of these childhood friends, see Dreamcatcher, 2001)

Stephen King wrote Dreamcatcher while recovering from injuries that he received after he was struck by a van while jogging. In 2003, it was adapted to film by veteran screenwriter William Goldman who also wrote the screenplays for Misery, Hearts in Atlantis and Dolores Claiborne (uncredited).

In 2011, Derry returned to the center of activity for the adventures of Jake Epping aka George Amberson.  Epping, a high school English teacher, discovered a unique feature in the town of Derry – a “bubble” that allowed a person with enough courage to step back in time.  Epping was not the first to discover it.  In fact, he was shown the time-warping“bubble” by local restaurant owner Al Templeton. 

After the encouragement of Templeton, Epping walked into the past with a mission at hand.  He then set out on a multiple-layered adventure that leads him into a destined meeting with historical figures and events in American history.  In 1958 Derry, Epping made the acquaintance of several residents previously discussed including Richie Tozier and Beverly Marsh.

 In Epping’s adventures in the “Land of Ago,” he traveled from Maine to Florida, and then through Alabama to Texas. He discovered that every action made in the past leads to a consequence in the future.  This phenomenon, known as “the Butterfly Effect, was first identified in the writings of Ray Bradbury.  Epping learned that the past will fight to protect the future; a lesson hard learned. (To read the full adventures of Jake Epping, see 11/22/63, 2011)

NOTE: Since 11/22/63 was recently released, I intentionally gave vague descriptions about it in this article. 

Stephen King wrote 11/22/63 between January 2009 and December 2010.  King visited many, if not all, of the places discussed in the book including the locations in Dallas associated with the Kennedy Assassination.  He states in the "Afterword" that he first started this book in 1972, but decided to put it on hold until a later time. Thankfully, King returned to this idea and completed it.

Only time will tell what the future holds for Derry!

Stephen King: The Humanitarian

As it states in the introduction, this site is dedicated to the work of Stephen King. So I wanted to write an article on the other works of King, his humanitarian work.  Here are the organizations and foundations that Stephen King has created to make our world a better place for all:

The Haven Foundation is a national, nonprofit organization making grants to freelance writers and artists experiencing career-threatening illness, accident, natural disaster or other emergency or personal catastrophe.

The Barking Foundation is a private, non-profit foundation that provides grants for accredited post-secondary education of meritorious State of Maine residents, based on their demonstrated financial need.

The Stephen and Tabitha King Foundation is a private non-profit organization that promotes strengthening and supporting communities and draws upon the values & spirituality of the founders. The Foundation has a special interest in organizations & people.

The "Dollar Baby" Program was created by Stephen King to allow some of his work to be adapted to film by student filmmakers. The program was designed by King to promote film production education. 

Mr. King, thanks for all of your work as an author and a humanitarian.

(Information for the above foundations and programs from The Official Stephen King Website. These sites will also be added to the "Links" page.)

'Life Between Frames' Article

The producers of the 'Life Between Frames' site have visited The King of Castle Rock and have given high praise of it. They asked me to write a film appreciation article on one of Stephen King's works. I chose one of my all-time favorites - the 1990 television miniseries adaptation of "IT." 

To see the article that I contributed to their site, follow the link provided here: Pennywise: Haunting Viewers Since 1990

Thanks to Jay Burleson and all those great people at Life Between Frames.

Recognition of a Hometown Supporter

This blog site is dedicated to the work of Stephen King, as you all know. However, I want to take a moment to recognize a local blog site from my hometown area that has supported the King of Castle Rock (TKOCR) site in many different ways. Shoalanda Speaks is a locally-operated blog from my hometown area of the Shoals in Alabama.  Though I do not personally know the kind folks at Shoalanda Speaks, I could not ask for a greater supporter of this project than they have been.

Shoalanda Speaks is a blog that discusses local news, issues and topics of interest to people in northwest Alabama. They are also strong supporters of the arts in our area including local writers.  After the producers at Sholanda Speaks visited TKOCR site, they wrote a wonderful review about it.  They also wrote a great article about myself discussing my writing and past video projects. Then, after the release of the promo video, they posted it to their site to allow their visitors to see it.  They have linked TKOCR site on their page as well. As a result of their unsolicited promotions, many of their followers are regular visitors to TKOCR and have watched the promo. Their kindness has not only brought readers to this site, but has also brought attention to my work.

To all the followers of Shoalanda Speaks that are visiting TKOCR - Welcome! To the producers of their site: Thank you for supporting our site, spreading the word about our exploration of Stephen King's world and for your recognition of my work. Your kindness will never be forgotten.  TB


Here is a link to their site if you would like to visit it:  Sholanda Speaks

More Tips on Writing from Stephen King

More Tips on Writing from Stephen King

Creating a Toolbox

Being a good writer is more than just being able to tell a good story. It requires the creation of words to develop sentences, which connect together to create paragraphs. Of course, anyone who has made it through elementary school understands this concept.  From the earliest of our reading and writing classes, we learned that a sentence consist of a subject and a verb that shows action or a state of being.  Remember, “See Spot run?” However, a writer must be able to do much more. They have to develop tools for their trade like any other profession. 

In On Writing, Stephen King uses an analogy to demonstrate how a writer is similar to a carpenter, which is an excellent comparison. A carpenter works with wood and tools to create a product. A writer works with tools of their own trade to do the same. Writing really is the building of a work, which upon its completion stands alone like the carpenter’s bookshelf. Like a carpenter, a writer also must make use of the various tools in their process. By collecting these different tools, a writer is able to assemble a toolbox that will contribute to every project that they create. King wrote:

 I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work (114).

As I mentioned in the opening paragraph, the majority of the tools that a writer needs are things that was learned at a young age.  However, some of the things that we learn or do repeatedly becomes systematic and requires minimal focus of our attention.  Take tying shoes as an example.  It is something that people do every day without a passing thought.  It is, as some say, going through the motions.  Nevertheless, as a child, that process requires greater concentration.  Writing is the same type of thing.  King recommends the following when assembling your toolbox:

You’ll find you have most of the tools you need already, but I advise you to look at each one again as you load it into your box. Try to see each one new, remind yourself of its function, and if some are rusty (as they may be if you haven’t done this seriously in awhile), clean them off.

So what are the tools that should be included in a writer’s toolbox?  They are actually the things that one might expect a writer to use.  The three basic tools of a writer are vocabulary, grammar and style.  The various ways that these three components are mixed and arranged are as unique as the fingerprints of the writer.  No two writers will use the exact combination of these elements in their work.  When these elements are used in an efficient and captivating way, the result is true art composed by an artisan, such as Stephen King.

(The three basic tools listed above will be discussed in greater detail in future articles.)



Derry: A Town of Unspeakable Evil, Part 2

Derry, Maine: A Town of Unspeakable Evil

Part 2 – 1958 to 1998

In the first installment of this profile of Derry, I discussed the town, its history, and a few of its famous residents. Now I will discuss events that have been documented in King’s stories. Derry plays a significant role in the world that King has built. Due to the number of stories that take place in Derry, this will be a three-part series.

 

One event that must be discussed covers a time span from 1958 to 1985.  In 1958, children in Derry were disappearing or being killed at an alarming rate.  One of these victims was Georgie Denbrough who was killed while playing with a paper boat that his brother Bill made for him. Bill Denbrough and six of his friends created a club called “the Losers Club” while playing in the Barrens where they spent their childhood afternoons building a dam in the creek that flows through it.  The boys become convinced, due to things that they saw and experienced, that an evil murderer was stalking their hometown.  In 1958, they track the “murderer” into the sewers to exact revenge and stop the murders.  They believed that they were the only ones who could stop the murderer.



The Losers Club



In 1985, children started to disappear and be murdered again; This was also the same year of the Great Flood in Derry, which did damaged the city extensively and cost millions to repair. Mike Hanlon, the city librarian and a member of the Losers Club, contacted all of his childhood friends about the recent activity. They had made a promise as children to return if the murders started again.  Six of the seven members returned to Derry and faced the child-killing monster again.  In the course of their stay in Derry, Mike Hanlon was stabbed and one of their friends was killed. (For more about these events, see IT, 1986)

IT was inspired by the classic Norwegian fairy tale “The Three Billy Goats Gruff,” according to The Complete Stephen King Universe.

In 1994, Derry resident Ralph Roberts begins a descent into a type of madness created by insomnia and the loss of his first wife, Carolyn.  Ralph, who is a senior citizen, begins to see strange people-like beings that he calls “the little bald doctors.”  Ralph develops a sixth sense that allows him to see the auras of people around him.  One of the hardest things about Ralph’s newly developed abilities is the way that he can see death hanging over someone’s head.  Ralph described it as being able to see a “black balloon” over their heads.  This is not a pleasant gift to have in the town of Derry because death is a daily occurrence.

Ralph Roberts also develops the ability to know evil when he sees it.  Ralph decides that he must take action when he learns that his neighbor, Ed Deepneau, is planning an assault on the Derry Civic Center where Susan Day, a pro-choice activist, is speaking.  A mysterious force known as the Crimson King is manipulating Deepneau’s thoughts and wants the man to kill a child named Patrick Danville, who has an important place in history.  (To read about Ralph Robert’s life, see Insomnia, 1994).

To promote the release of Insomnia, Stephen King made a ten-stop tour of independent bookstores across the United States on his Harley-Davidson motorcycle. This trip helped inspire two novels, Desperation and The Regulators, which were released in 1996.

In 1998, Mike Noonan, a best-selling novelist who calls Derry home, finds his life changed in a significant way.  Noonan’s wife, Jo, dies from an aneurysm that occurs when she is expecting their first child.  Noonan becomes emotionally distraught and finds it difficult to pen another story.  He decides to leave Derry for a while and stay at their summer home at Dark Score Lake.  The home is called “Sara Laughs.”  The author believes that the writer’s block may be broken by staying at his summer home.




Mike Noonan (portrayed by Pierce Brosnan)



While staying near Dark Score Lake, Noonan becomes involved in a couple of different events.  He rescues a child from the street and then finds himself in the middle of a custody battle between the child’s mother, Mattie Devore, and her father-in-law, millionaire Max Devore. Noonan also begins receiving messages in various ways from spirits, one of which he believes to be his deceased wife. He also starts to investigate the possibility that his wife had an affair prior to her death.  The truth was much darker.  His wife had been investigating the rape and murder of a Jazz singer named Sara Tidwell that occurred nearly a century earlier. (Mike Noonan’s story can be found in Stephen King’s Bag of Bones, 1998)

Bag of Bones was adapted for television in 2011 and aired on A&E.  Stephen King read the audio version of this novel.

To Be Continued...

 

New Promo for The King of Castle Rock

This is the new promo for the King of Castle Rock Blogger and Facebook sites. This promo covers fourteen of King's most memorable works. Check it out and let me know what you think. TB

The King of Castle Rock Promo (YouTube link)

More Tips on Writing from King:

More Tips on Writing from King:

Inspiration and Good Writing

As I stated in the introduction, this blog will focus on King’s process of writing, as well as his body of work. Granted, there will ultimately be more articles on his body of work than the process itself.  Why?  He uses the same process with each of his pieces. However, it is important to understand that process in order to gain more from the exploration of his work. Being able to understand his process also provides important advice for our own attempts at penning an original piece, if that is the goal.

The first step is to understand that writing, in all forms, is indeed art.  Therefore, all writers are artists.  It doesn’t matter what the medium of the writer is; the finished product is still art.  It may be hard to imagine a newspaper story as art, but it is a product created from the mind and skills of the writer.  King considers writing to be the highest form of art.  In On Writing, King writes, “All the arts depend upon telepathy to some degree, but I believe that writing offers the purest distillation” (103).

One thing to remember about writing or anything else that one attempts to do, it is important to be dedicated to the project. Some might think being a comedian or a rodeo clown is having fun at work all day, and it might be. Many people have fun at work, but it is still work. Comedians and rodeo clowns work hard at their jobs. However, just because someone is having fun does not mean that they don’t take their job seriously.  This is an important point that King makes about writing, and reading his memoir about writing: 

“But it’s writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can’t or won’t, it’s time for you to close the book and do something else” (107).

The hardest thing that writers, regardless of their experience, struggle with in the process is trying to determine if what they have produced is worthy of an audience.  As a writer, I have penned a few novels and more than a few short stories that I felt was a waste of time when I finished.  It is not uncommon for writers to even quit in the middle of a story due to what King refers to as “fear.”  The fear of writing a bad story can be more crippling than any monster in a King story.  King wrote the following about that fear:

“Good writing is often about letting go of fear and affectation. Affectation itself, beginning with the need to define some sorts of writing as “good” and other sorts as “bad,” is fearful behavior. Good writing is also about making good choices when it comes to picking the tools you plan to work with” (128).

Another issue that writers face is finding that inspiration or story idea for the next top seller that they hope to pen.  King, like many successful writers, is often asked how they came up with an idea for a story.  Some may believe that these ideas are part of a magical blueprint of writing.  King assures us that there is no such formula for generating ideas.  He wrote the following about the origins of his own ideas:

“Let’s get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognize them when they show up” (37).

King has said many times that the key to writing is just doing it.  You can’t be a “writer” if you don’t write.  You also can’t write in a place that is a hub of activity.  Writing is a personal thing that requires isolation of body and mind to do it successfully. King recommends the following advice for beginning the writing process:

“It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn’t in the middle of the room. Life isn’t a support system for the art. It’s the other way around” (101).

So let go of those debilitating fears, push the desk in the corner, grab those ideas that have landed in your lap, and start writing.  Who knows what may come of it!  I assure you that the results will be satisfying on so many levels. As a friend posted in the comment section of an earlier article – Write on!